• Evan Northrup

Seven Movies To Watch On St. Patrick's Day (And The Perfect Drink For Each One)

Coming up on the one-year mark of the start of the pandemic, many of us are pausing a moment to reflect on the ways in which our lives have changed, taking note of the simple things we once took for granted, and questioning how we will continue to move forward with all the challenges still facing us. For me, one important, undeniable, and momentous question has conquered all the rest: How am I supposed to celebrate St. Patrick’s Day this year?


When it comes to a holiday that is usually observed by drinking green beer at your favorite bar, celebrating on a Wednesday in the middle of a pandemic presents some challenges. You could still eat corned beef, pinch anyone in your house not wearing green, or get drunk and shamelessly cry to "Danny Boy," but beyond that, your options are limited. That is why this year, I would like to present all my fellow friends reminiscing on St. Patrick’s days of the past with alternative options to whatever your usual traditions are: seven great Irish movies, and the best drink to have in your hand while you watch them. (Please drink responsibly)



The Departed (2006)

Drink: Jameson

Warner Bros

Why Jameson? Because Irish gangster movies are like the hard liquor of Irish movies, and like Jameson, The Departed is the best one.


How much Jameson? Enough to make you wake up as sweaty and perpetually hungover as Alec Baldwin looks in all of his scenes in this movie.


The Departed might not be an Irish movie, but you would be hard-pressed to find a movie that is more Irish-American. Directed by Martin Scorsese and starring Leonardo DiCaprio, Matt Damon, Mark Wahlberg, and Jack Nicholson, the movie tells the story of an undercover cop in an Irish gang, and an undercover Irish gangster in the Boston police. Many of the performances are over the top and the plot is so intricate that it borders on confusing, but the end result is a movie that expertly captures the soul of Boston on screen.


The Departed also recaptures Scorsese’s style in movies like Raging Bull and Taxi Driver, where he depicts life in its grittiest, messiest reality. As much as I love Goodfellas, Casino, or The Wolf of Wall Street, they all glorify the protagonist's life of crime. In The Departed, Scorsese depicts the lifestyle of the Boston Irish gangsters and cops as less alluring than having a regular nine-to-five. The difference is that in most of Scorsese’s crime films, he depicts the rise and fall of the anti-hero; the glitz and glamour before they inevitably fly too close to the sun and fall. In The Departed, the characters start the movie in a downward spiral, and like watching a train crash, it’s impossible to tear your eyes away.



In Bruges (2008)

Drink: Stella Artois


“I had five pints of beer and six bottles, no, six pints of beer and seven bottles, and you know what? I’m not even pissed!” - Ray (Colin Farrell)


There’s a lot of quality movies centered around Irish immigrants. In America, Gangs of New York, and Brooklyn, just to name a few. But, if I have to choose a movie about Irish fish out of the proverbial water, it’s going to be In Bruges every time. And while I’m not suggesting you try and match Ray drink-for-drink, what better to sip with a story about two Irishmen stuck in Belgium than the most popular Belgian beer in the world?


The darkest of dark comedies, In Bruges is a modern masterpiece. The story follows two Irish hitmen after a botched assassination, Ray (Farrell) and Ken (Brendan Gleeson), who settle down in the historic Belgian town of Bruges to await their fate. The movie manages to stay funny while juggling some of the grimmest themes that a movie can address, and will have you questioning everything you know and cracking up in the same five minutes. Colin Farrell is undoubtedly one of the great Irish actors of the 21st century, and with help from Ralph Fiennes and Brendan Gleeson, In Bruges stays a sad but stunning spectacle until the moment the screen goes black.



Barry Lyndon (1975)

Drink: Wine, any wine

HBO Max

Three steps to becoming a modern-day Barry Lyndon:

  1. Buy wine.

  2. Google that wine and memorize given information.

  3. Recite said information casually in front of friends, i.e., "Ah yes, I hear the merlots are particularly red this year."


Congratulations. You have now infiltrated high society.


Before you say anything, no, Stanley Kubrick isn’t Irish. And also, no, the original author William Makepeace Thackery isn’t either (But check out the name on that guy, am I right?). And sure, the main actor Ryan O’Neal was born in Los Angeles. But for this list, the main character being Irish is enough to secure a spot, so give a warm welcome to Barry Lyndon.


This story of Barry Lyndon, an Irish rogue who climbs the British social hierarchy after a series of misadventures, is a cynical masterpiece of character and creative cinematic expression. When released in 1975, Kubrick was heralded for the experimental way in which he used double shots and natural lighting to give Barry Lyndon a glowing and artistic look, causing Roger Ebert to call it, “One of the most beautiful films ever made.” 46 years later, Barry Lyndon is still one of the great films of the 20th century, and the perfect movie to watch on St. Patrick’s day if you want to feel ~sophisticated~ or ~classy~.



Intermission (2004)


Drink: The cheapest thing you can find and as much as your arms can carry

IFC Films

If I were to be completely honest, Intermission’s drink equivalent isn’t the cheapest thing you can find in the liquor store. It’s more like stumbling around the bar five minutes before closing time and draining any unfinished drinks you can find on the empty tables. The heist/romance movie (yeah, sounds stupid, right?) starring Cillian Murphy, Colin Farrell, and Kelly Macdonald couldn’t have aged worse if it tried. The constant motion of the grainy digital camera is proven to cause seasickness. The offensive language, deplorable cop character (Colm Meaney), and Lehiff’s (Farrell) violence are often so terrible that it can feel physically degrading to watch. Then there’s the plot; the nonsense, Love Actually-reminiscent “strangers meet in the city” plot with the background of a poorly-planned heist. The only thing keeping this movie together? Love, and Cillian Murphy.